{"id":1920,"date":"2016-12-05T12:10:56","date_gmt":"2016-12-05T12:10:56","guid":{"rendered":"http:\/\/www.unrehearsedchicago.com\/?p=1920"},"modified":"2016-12-05T13:48:04","modified_gmt":"2016-12-05T13:48:04","slug":"eyes-on-actors-lana-whittington","status":"publish","type":"post","link":"http:\/\/www.unrehearsedchicago.com\/?p=1920","title":{"rendered":"Eyes on Actors: Lana Whittington"},"content":{"rendered":"<p><strong><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-1921 alignright\" src=\"http:\/\/www.unrehearsedchicago.com\/wp-content\/uploads\/2016\/11\/lwhittington-240x300.jpg\" alt=\"lwhittington\" width=\"240\" height=\"300\" srcset=\"http:\/\/www.unrehearsedchicago.com\/wp-content\/uploads\/2016\/11\/lwhittington-240x300.jpg 240w, http:\/\/www.unrehearsedchicago.com\/wp-content\/uploads\/2016\/11\/lwhittington.jpg 768w\" sizes=\"auto, (max-width: 240px) 100vw, 240px\" \/>Lana\u00a0<\/strong>is a new Apprentice, debuting with <em>King Lear<\/em>. You can also see her this December in EDGE Theatre&#8217;s <em><a href=\"https:\/\/www.facebook.com\/events\/307831752923768\/\" target=\"_blank\">A Steampunk Christmas Carol<\/a><\/em> as the Mad Madam Fizzlewig. Lana\u00a0will be performing in <em>Lear<\/em> on Tuesday, Dec 13.<\/p>\n<p><strong>Q<\/strong>: <em>How were you first introduced to Unrehearsed Shakespeare<\/em>?<br \/>\n<strong>LANA<\/strong>:\u00a0I first heard about it through my good friend <a href=\"http:\/\/www.unrehearsedchicago.com\/?page_id=1439\">Charlie Baker<\/a>. We went to school together and he has been a part of Unrehearsed for a few years now. Then I was cast in <a href=\"http:\/\/www.jaredmcdaris.com\/?page_id=3907\"><em>Countess Bathory<\/em><\/a> written and directed by <a href=\"http:\/\/www.unrehearsedchicago.com\/?page_id=94\">Jared<\/a> and I knew I needed to work with this guy more.<\/p>\n<p><strong>Q<\/strong>:\u00a0<em>How does Unrehearsed differ from other acting experiences for you<\/em>?<br \/>\n<strong>LANA<\/strong>:\u00a0It is completely different from what I am used to. In college mostly I worked with many directors who blocked us to a tee and gave us our characters\u2019 motivations. Though Unrehearsed has set rules you should follow to make it interesting there is much more freedom to do what feels natural and to find your own motivations even if they might not be perfect. I\u2019ve never been in a show where I didn&#8217;t have weeks of rehearsals and had no idea who was playing who until I was on stage. This is a little frightening, but mostly exciting.<\/p>\n<p><strong>Q<\/strong>: <em>What, if anything, is your biggest challenge with this technique so far<\/em>?<br \/>\n<strong>LANA<\/strong>:\u00a0This technique relies massively on listening skills, and that has been a challenge of mine in the past with shows that have rehearsal time. It\u2019s easy to become complacent when you know what will be said and when your next cue is. Unrehearsed keeps everyone on their toes which is what I like most about it.<\/p>\n<p><strong>Q<\/strong>: <em>One of the defining attributes of Unrehearsed is the lack of a Fourth Wall. How do you feel about this? How does it affect your work and\/or prep<\/em>?<br \/>\n<strong>LANA<\/strong>:\u00a0Well in many of Shakespeare&#8217;s works we often see actors performing their soliloquies to the audience, but Unrehearsed gives you more opportunities to use the audience outside of those monologues. It\u2019s almost like the audience is it\u2019s own character in the show. While I\u2019m rehearsing my sides, I try to look for instances where I can use the audience even when my character doesn&#8217;t have speeches or asides. It\u2019s also interesting to use the audience for story telling purposes, so I keep an eye out for chances to use the audience as characters for that purpose as well.<\/p>\n<p><strong>Q<\/strong>:\u00a0<em>What, to you, is the most intriguing thing about <a href=\"http:\/\/www.unrehearsedchicago.com\/?p=1861\"><span style=\"text-decoration: underline;\"><strong>King Lear<\/strong><\/span><\/a><\/em>?<br \/>\n<strong>LANA<\/strong>:\u00a0It\u2019s quite interesting that it takes Lear so long to discover that the only people who love him and have his best interests in mind are the ones that he banished just because they did not tell them what he wanted to hear. It\u2019s strange how not getting our way can skew our judgment and our trust in others.<\/p>\n<figure id=\"attachment_1922\" aria-describedby=\"caption-attachment-1922\" style=\"width: 200px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-1922 size-medium\" src=\"http:\/\/www.unrehearsedchicago.com\/wp-content\/uploads\/2016\/11\/jane-200x300.jpg\" width=\"200\" height=\"300\" srcset=\"http:\/\/www.unrehearsedchicago.com\/wp-content\/uploads\/2016\/11\/jane-200x300.jpg 200w, http:\/\/www.unrehearsedchicago.com\/wp-content\/uploads\/2016\/11\/jane.jpg 683w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-1922\" class=\"wp-caption-text\">Lana recently appeared as &#8220;Jane&#8221; in sister-company We Three&#8217;s production of Countess Bathory<\/figcaption><\/figure>\n<p><strong>Q<\/strong>: <em>If Lear asked you to flatter him, would you answer more like Cordelia or more like Goneril and Regan<\/em>?<br \/>\n<strong>LANA<\/strong>:\u00a0I\u2019d probably be similar to Cordelia. I don\u2019t like to play games with people and I prefer to be honest to other people rather than let them hear what they want to hear.<\/p>\n<p><strong>Q<\/strong>: So what&#8217;s next for you?<br \/>\n<strong>LANA<\/strong>:\u00a0Come see <a href=\"https:\/\/www.facebook.com\/events\/307831752923768\/?ti=icl\"><em>Steampunk Christmas Carol<\/em><\/a>; you will see many Unrehearsed actors and it is tons of fun. I\u2019ve been in\/seen many productions of Christmas carol but this one is special. You will be on the floor laughing with Christmas joy by the end.<\/p>\n<p><a href=\"https:\/\/www.facebook.com\/events\/307831752923768\/?ti=icl\">Click here<\/a> to see Lana in the upcoming <em>A Steampunk Christmas Carol<\/em> (with EDGE Theatre), or <a href=\"https:\/\/wethreeplays.com\/production-history\/countess-bathory\/\">here<\/a>\u00a0to see photos from her recent performance in Countess Bathory (with We Three).<\/p>\n<p>=====<\/p>\n<h1><span style=\"color: #0000ff;\"><a style=\"color: #0000ff;\" href=\"http:\/\/thepubtheatre.com\/show\/king-lear-unrehearsed-10\/2016-12-12\/\">GET YOUR TICKETS HERE<\/a><\/span><\/h1>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-1894 size-full\" src=\"http:\/\/www.unrehearsedchicago.com\/wp-content\/uploads\/2016\/10\/klb.jpg\" alt=\"klb\" width=\"1729\" height=\"656\" srcset=\"http:\/\/www.unrehearsedchicago.com\/wp-content\/uploads\/2016\/10\/klb.jpg 1729w, http:\/\/www.unrehearsedchicago.com\/wp-content\/uploads\/2016\/10\/klb-300x114.jpg 300w, http:\/\/www.unrehearsedchicago.com\/wp-content\/uploads\/2016\/10\/klb-768x291.jpg 768w, http:\/\/www.unrehearsedchicago.com\/wp-content\/uploads\/2016\/10\/klb-1024x389.jpg 1024w\" sizes=\"auto, (max-width: 1729px) 100vw, 1729px\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Lana\u00a0is a new Apprentice, debuting with King Lear. You can also see her this December in EDGE Theatre&#8217;s A Steampunk Christmas Carol as the Mad&#8230;<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[5,3],"tags":[],"class_list":["post-1920","post","type-post","status-publish","format-standard","hentry","category-performers","category-productions","wpcat-5-id","wpcat-3-id"],"_links":{"self":[{"href":"http:\/\/www.unrehearsedchicago.com\/index.php?rest_route=\/wp\/v2\/posts\/1920","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/www.unrehearsedchicago.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.unrehearsedchicago.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.unrehearsedchicago.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.unrehearsedchicago.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=1920"}],"version-history":[{"count":6,"href":"http:\/\/www.unrehearsedchicago.com\/index.php?rest_route=\/wp\/v2\/posts\/1920\/revisions"}],"predecessor-version":[{"id":1945,"href":"http:\/\/www.unrehearsedchicago.com\/index.php?rest_route=\/wp\/v2\/posts\/1920\/revisions\/1945"}],"wp:attachment":[{"href":"http:\/\/www.unrehearsedchicago.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=1920"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.unrehearsedchicago.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=1920"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.unrehearsedchicago.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=1920"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}